The fact that Haider is based on Hamlet made me curious to
watch it, as soon as it is released. So, what was next? I booked my tickets and
sat out for Haider show. While watching the movie, my mind was judging the
similarities, dissimilarities between the movie and the Shakespeare’s play. I
was constantly comparing the story and the plot and trying to judge which one
was better.
What I had thought to be a re-telling of Hamlet, turned out
to be a different story in itself. Yes, Haider is an ‘Adaptation’ of Hamlet and
not a copy of Hamlet. And for this originality and awesome story, Vishal
Bhardwaj secures all 100 points from me.
Before I further get into the film, here is the list of
characters of Hamlet, on which Haider’s characters are based:
Gertrude – Ghazala aka Tabu
Prince Hamlet –
Haider aka Shahid Kapoor
Late King Hamlet – Dr. Hilal Meer, Shahid’s dad
Ghost – Roohdaar aka Irrfan Khan
Claudius – Khurram aka Kay Kay Menon
Ophelia – Arshia aka Sharaddha Kapoor
Polonius – Pervez aka
Sharadha Kapoor’s dad
The first part of the film is slow. I mean, the story takes
time to pick up and since it was a 2 ½ hrs film, they need to build the
atmosphere. So, what happens in the first part? It begins with the
disappearance of Shahid’s dad and we come to know that he is a good man who
helped even the militants despite his wife’s displeasure. His needy and good
nature leads him to trouble and he and his wife are shunned by the society as
militants.
Haider returns to see his mother staying happily with his
uncle (his father’s brother), here the things are twisted, as in the play,
Hamlet returns to know that his mother has already married his uncle and his
father died in the battle. Nevertheless, given to the Kashmiri backdrop, most
importantly Indian, a straight away love affair or marriage is not accepted.
Some of the twists in the film by Bhardwaj are done by
keeping the demographic and geographic differences in mind, which was much
needed. Haider sets out to find about his father, thinking that his mother and
uncle have moved on in their lives. This was unlike the play, where Hamlet was
commanded in the very beginning by his father’s spirit to avenge his death.
Through Hamlet’s journey to find his father, Bhardwaj uses the opportunity to
put forth the conditions of Kashmiri’s, whether they are Muslims or pundits.
In a valley, known for its beauty and a place considered to be heaven on earth,
life is hell. In the midst of politics and constant power play, unfortunate
things keep happening to residents of the place.
The film really picks up after Roohdar aka Irffan Khan is
introduced. My excitement also rose up a notch at this point because all the
while, I was wondering, “how will Bhardwaj introduce the supernatural
elements?” The answer was simple, instead of disturbing them; he turns those
elements into a helpful bunch of people who served the imprisonment together
with Shahid’s dad.
So, now Haider is sure that his father is dead and acts to
play mad like Hamlet did to know the truth. Another fact where Bhardwaj rocked
is the song, ‘Bismil.’ Those who have not read the play, Hamlet is the only
play in literature to have a ‘play’ within the play. Yes, Hamlet enacts a play
to find out the truth about his uncle and Haider does the dame to warn his
mother.
But, Kay Kay Menon is too smart and is a step ahead and
covers it up. Oh, did I forget to mention that by now Tabu & Kay Kay Menon
are married? Now, going back to Hamlet, after the play, Hamlet’s mom comes to
know about truth and accidently dies by drinking the poisoned wine kept for Claudius.
But, here Bhardwaj twisted the story and kept it to Oedipal complex, which by
the end forms a major part of the story.
So, our young Haider who cannot bear to share his mother,
escapes vowing to avenge his father’s death. In the peaceful valley of Kashmir,
what follows is betrayal and bloodshed. Haider is quite a violent film but
since bloodshed was forbidden to be shown on stage in Shakespearean &
Elizabethan age, Hamlet had all these in form of Chorus enactment.
Moving further, a mass murder happens and Polonius and his
son dies, which goes as per the play. They even die over there. And, here, Tabu
finally realisses that she is wrong and she decides to meet Roohdar. Eventually,
the setting shifts to a graveyard, which makes for a breathtaking view. The
song ‘Aao Na ki ab jaan gayi… aa bhi jao’ is actually shot on the graveyard
diggers who after digging lay down in the graves themselves. It shows the
brilliance of the director. The thing I learnt is that the Kashmiri people
prefer to die than live. After all, showing id cards and being questioned
everyday, just ruins the beauty of living, right?
Coming to the climax, the end does not let us feel
empathetic towards any of the characters except Tabu. At least I felt
empathetic towards her. In the climax, where everyone is dead at the end of
play, Haider ends with Haider & Kay Kay Menon left alive. Over here,
Bhardwaj changed the tale and ended by portraying the virtue of forgiveness.
When, Haider is tore between following his father’s last wish or his mother’s
last words, he chooses peace because after his mother’s death, nothing is
important to him.
But in Hamlet, everyone dies including Hamlet, which makes
us feel empathetic. The whole point of Tragedy is when we sympathize with the Hero
because he is great but his one flaw makes him meet his end. However, over
here, I come out from theatre with peace and a relaxed mind because keeping in
mind the on-going troubles in the valley; we need forgiveness& love and not
bombs and military control.
Also, a twist given by Bhardwaj is the display of human
affection and emotions. Kay Kay Menon may be a bad guy still he loved Tabu
dearly. It is a thing which Hamlet doesn’t have, as Hamlet is more about power
play while Haider seemed to me as more of a personal play.
Haider in its own is a beautiful story. Hamlet is a story of
revenge while Haider is more of Oedipal complex. It is a loss of a son that
triggers him to vent out things in a violent manner.
Quite notable thing about Haider is the use of correct
dialogues at the perfect times, for example –
·
“Haider, mera inteqaam lena mere bhai se... uski
un dono aakh mei gooliyaan daagna, jin aakho se usne tumhari maa par fareb
daale the” – this is a urdu cum Kashmiri translation of Hamlet’s spirit when he
asks his son to avenge his death.
·
“Dil ki agar sunu toh tu hai... Dimag ki sunu
toh tu hai nahi. Jaan lun ki Jaan dun? Main rahoon ki main nahi” – Haider’s
inner conflict more close to “To do… or not to… that is the confusion” dialogue
of Hamlet.
·
“Aap Doctor hai kya? Main Doctor ki Rooh Hu” –
this almost set me thinking that Haider’s father spirit has changed the face.
Scenes that stand out:
1.
Shahid & Tabu’s conversation in the first
part –It is heart breaking to watch when Shahid crumbles down on realizing that
his father may never return. More than that, we realize that Tabu is a half-widow who nor can celebrate the
married life nor live a widow life. Moreover, the fact that everyone accepts
her to change and adapt is excruciatingly cruel. Nobody bothers to ask her how
as a woman, wife and mother does she feel!
2.
Grave diggers – As mentioned earlier, the song
‘Aao Na’ is picturized on grave diggers. A grave for others is a thing to be
frightened about but for them, it is a place of solace. They calmly dig up
graves and find peace in them. Also, hinting to the fact that your grave may be
the same as someone else’s because the ratio of people dying is more than living.
Tragic, no?
3.
Shahid and Tabu’s conversation in part 2 – It is
a conversation that happens in their old burnt house when she realizes that his
uncle is the culprit. How amazing is it? You have to watch the movie for o know.
A lesson the scene teaches us is, no outsider should be trusted with the
secrets of our household.
4. The Climax scene – Watch it!
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